Екзистенціальне розуміння свободи у повісті Валерія Шевчука „Птахи з невидимого острова”
2026, 13, No. 13
Ivan Franko National University of Lviv
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Abstract
The article explores the philosophical and aesthetic interpretation of the concept of freedom in Valerii Shevchuk’s novella 'Birds from an Invisible Island'. It examines the relation between the writer’s worldview and existentialist philosophy – particularly the ideas of Sartre, Camus, and Heidegger – and analyzes how these ideas are transformed within a religious and moral framework. The study traces the inner evolution of the protagonist, Olizar Nosylovych, from anxiety and alienation to spiritual purification and the attainment of true freedom. It argues that in Shevchuk’s vision, freedom functions not merely as a philosophical notion but primarily as a moral and spiritual one, inseparable from overcoming evil, sin, fear, and estrangement. The paper highlights the interplay of mythological, religious, and existential motifs, as well as the baroque imagery that shapes the concept of liberation. Ultimately, Shevchuk’s understanding of freedom is revealed as a return to divine harmony – to an 'Absolute Freedom' that constitutes the essence of being and the source of good.
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