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The Image of the Author in Taras Shevchenko’s Diary and Stories: The Evolution of Understanding
Roman Ivanychuk – an unforgettable author of historical novels
Ukraine as Perceived by French Authors in the Early 17th Century
Historical Visionary in the Writings of Dissident Authors
Discussion in the Field of Literary Studies “From the Baroque to Postmodernism: The Problem of the Author”
Shakespeare in the Ukrainian Neo-Baroque: Translational Masterpiece of Todos’ Os’machka
Ivan Franko’s Exegi Monumentum
Річ Посполита „багатьох народів” у візіях польських науковців та публіцистів другої половини ХХ – першої чверті ХХІ ст.
On the Definitions of Baroque and Romanticism in the Period of Totalitarianism
Pylyp Orlyk and Francis II Rákóczi in comparative perspective
Diary of the Plague Time
Magic and hell of Morocco (Ukrainian-Moroccan dialogue of generations in the Polish interpretation)
Visual Dominant in Neo-Latin Literature of the Baroque Era on the Ukrainian-Polish Frontier
What is Behind the Boundary Uncertainty? Yaroslav Polishchuk, Frontyrna identychnist: Odesa XX stilittia, Dukh i Litera, Kyiv 2019, 208 pp.
Truth as Sacred in the Works of Taras Shevchenko
Ego-Documents as a Construct in the Image of the City (on the Example of Texts about Odessa)
Where does evil come from? Paradoxes of revolution in Ukraine. On Diaries and Memoirs of Yevhen Chykalenko
Ukrainian themes in Eugeniusz Tkaczyszyn-Dycki’s works
“Poucheniie Ditiam” by Volodymyr Monomakh as a Manifesto of the High Middle Ages Literature of Kyivan Rus’
The review of “The righteous soul. Vasyl Bidnov in the memoirs of contemporaries” (‘Pravedna dusha. Vasyl Bidnov u spohadakh suchasnykiv’, ed. Mykola Chaban, series “DNIPROVIANA”, Herda Press, Dnipro 2021, 216 pp.)
