„...За межами можливого”: таборовий наратив Василя Стуса крізь призму філософії надії Ґабріеля Марселя
2024, 11, Tom 11
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The article examines the camp narrative of Vasyl Stus through the philosophy of hope of a classic of French existentialism, Gabriel Marcel. Turning to ego documents, the discourse of the dissident poet’s confrontation shall be analysed, firstly, against the totalitarian regime of the former USSR and, secondly, against the very circumstances of his detention in the camp which befell him. Self-esteem, insubordination, constant introspection, self-sufficiency with optimism in spite of cruel ordeals – this is how V. Stus appears before us. Within the 'imprisoned space' with its numerous prohibitions and punishments, the poet not only cherishes his Muse, saving himself by translations, writing a diary, letters and poems, but also develops – despite a deep sense of fate – a philosophy of hope, consonant with the phenomenology and metaphysics of Marcel. The poet was aware that the road was paved for him as 'Golgotha sent by God', along which he had to walk (straightened) 'through a hundred despairs', so he sincerely admitted: 'My path hurts'. These concepts – path and pain, as well as the constant appeal to the one hundred number as an attempt to multiply his strength a hundredfold in a difficult struggle, permeate both his poetry and ego-documents.
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Bibliografia
Krymskyi S., Zapyty filosofskykh smysliv, Parapan, Kyiv 2003.
Marsel G., Homo viator, per. z fr. V. Shovkuna, vyd. dim KM „Academia”; Universytetske vyd-vo „Pulsary”, Kyiv 1999.
Stus V., Lysty do syna, uporiad. O. Dvorko, D. Stus, Lileia NV, Ivano-Frankivsk 2001.
Stus V., Tvory: u 4 t., 6 kn., Prosvita, Lviv 1994.
Tarnashynska L., Imia yak indyvidualnyi znak: Vasyl Stus i tvorche „Ya” [v:] L. Tarnashynska, Ukrainske shistdesiatnytstvo: profili na tli pokolinnia (Istoryko-literaturnyi ta poetykalnyi aspekty), vyd. 2, dop., Smoloskyp, Kyiv 2019.
Tarnashynska L., Siuzhet Doby: Dyskurs shistdesiatnytstva v ukrainskii literaturi XX stolittia, Akademperiodyka, Kyiv 2013.
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