Літературно-малярські кореляції у новелістиці Михайла Яцкова
2017, 4, Numer 4
Data publikacji
Model publikowania
Rodzaj licencji
Dziedzina
Dyscyplina
Język publikacji
Pliki do pobrania
PDF 901 KB
Liczba wyświetleń:35
Liczba pobrań:19
Cytowania Crossref:0
Wynik Altmetric:0
Abstrakt
The intermedial approach to the short stories by Michael Yatskov is used in the article. This approach makes it possible to reveal how painter’s component is embodied in artistic thinking of the author. It’s highlighted that personal encounters with artists, knowledge of their biographies, creative lives used to have a significant influence on the creative formation of the writer. Attention is focused on that how the atmosphere of rivalry between painters, authors’ sympathies and antipathies is reflected in novels. It is proved that the prototype of Korney Borsuk from the essay ‘Death of the God. A studio with a hammer’ was Ivan Trush, to whom the writer demonstrated the negative attitude. The paper draws our attention to the fact, that all characters often appeal to the canvases for supporting their thoughts, showing a good knowledge of art rarities. The article reveals the means to achieve the visual effect in the writer’s works, the function of intermedial inclusions confirming author’s diversity of interests: from Antiquity era – up to the latest trends and tendencies in the art. Numerous literary correlations in the novels demonstrate a good knowledge of art history, creative biographies of the painters of different times and peoples: Lyudomyr-Lyudvyg Benedyktovych, Artur Grottger, Ivan Trush, Julian Pankevych, Aubrey Beardsley, Mathis Nithardt and others. The paper elucidates that artistic versatility has become a landmark of the twentieth century. Figurative-expressive potential of M. Yatskov’s artistic expression is enriched due to his mastering the means of adjacent arts.
Bibliografia
M. Yatskiv, Muza na chornomu koni: Opovidannia i novely. Povisti. Spohady i statti, Kyiv 1989, s. 261.
M. Yatskiv, Smert boha. Narysy y noveli, Lviv 1913, s. 56.
O. Rysak, Deiaki problemy poetyky i styliu Mykhaila Yatskiva [v:] Naipershe – muzyka u slovi: Problema syntezu mystetstv v ukrainskii literaturi kintsia KhIKh – pochatku KhKh stolittia, Lutsk 1999, c. 345–354.
O. Melnyk, Modernistskyi fenomen Mykhaila Yatskova: kanon ta interpretatsiia : avtoreferat dysertatsii na zdob. naukovoho stupenia kandydata filolohichnykh nauk, Lviv 2009, s. 19.
A. Matusiak, Khymernyi Yatskiv: Modernistskyi dyskurs u prozi Mykhaila Yatskova, Vrotslav – Lviv 2010, s. 21.
M. Yatskiv, Smert boha. Narysy y noveli, Lviv 1913, s. 88
Yu. Lotman, Tekst u teksti [v:] Antolohiia svitovoi literaturno-krytychnoi dumky KhKh st., red. M.Zubrytska, Lviv 2001, s. 581–595.
M.Iatskiv, Smert boha. Narysy y noveli, Lviv 1913, s. 86.
M. Yatskiv, Muza na chornomu koni: Opovidannia i novely. Povisti. Spohady i statti, Kyiv 1989, s. 139.
N. Dmytryeva, Yzobrazhenye y slovo, Moskva 1962, s. 15.
A. Matusiak, Khymernyi Yatskiv: Modernistskyi dyskurs u prozi Mykhaila Yatskova, Vrotslav, Lviv 2010, s. 128.
M. Ilnytskyi, «Poetychna kontseptsiia z muzychnym i maliarskym tlom…» [v:] M. Yatskiv, Muza na chornomu koni. Opovidannia i novely. Povisti. Spohady i statti, Kyiv 1989, s. 22.
A. Matusiak, Khymernyi Yatskiv: Modernistskyi dyskurs u prozi Mykhaila Yatskova, Vrotslav, Lviv 2010, s. 127.
M. Yatskiv, Muza na chornomu koni: Opovidannia i novely. Povisti. Spohady i statti, Kyiv 1989, s. 86.
V. Prosalova, Literaturno-maliarski koreliatsii u novelistytsi Mykhaila Yatskova [w:] "Studia Polsko-Ukraińskie", red. Walentyna Sobol, nr 4, wyd. Zakład Graficzny UW, Warszawa 2017, s. 131-144.